support by: in flagranti, toby tobias, andy black, munk, bottin, babyg, massimiliano pagliara, dicodromo, rayko, clap rules, love supreme, club silencioà after record, slow motions follow up û wrong era ep is set to catapult this small italian label into the big time. this time around and its all about the charms of italys very own motorcycle boy who delivers two stunning original tracks backed up with white hot remixes from the heels of love and old school disco legend fabrizio mammarella. try begins as a sleazy electro disco cut, thats swaggers along until breaking out with melodic strings that lighten the mood, before things drop back down to a perfect 4am groove that john carpenter would have been proud to call his own.

this 2x12inch of dapayk solo - decade on (2000-2010) combines brand new dapayk tracks, a refreshed classic and four remixes. it comes along with a dapayk poster and a voucher card for a free download of the full length album!!!

tres gueros are three white brooklynites led by the amorphous producer sleazy mcqueen. this collaboration as a whole has been a few years in the making with two vocalists, two guitar players and if that wasnt enough, he brought in beef wellington for some additional synthesizing work.
this is a feel good indie-dance track that you will keep any crowd dancing. we have got some great remixers on board from nu-disco gurus anthony mansfield who runs hector works with partner and crime nick chacona. neighbour and his signature disco-house sound, along with newcomer dave allison who runs kinjo music. for good measure sleazy mcqueen has added a big room dub!

so when elektrax got together with bergens label if? to create a new vinyl release of remixes of the sublime little nobody track >metropolis how?< - as the debut showing for our brand new side-label gynoid - we couldnt think of two better practitioners to suit the moment... along with, of course, another canny remixer in the guise of elektraxs main-man, dj hi-shock.

after the massive success of the original king unique release of 2000000 suns and feniksas, bedrock returns with a huge remix package featuring remixes from john digweed & nick muir along with fergie. already causing a stir from the parties at wmc along with john digweeds easter bedrock party this looks set to be yet another cracking release from bedrock

label boss fluen delivers the latest ep from barcelona label vinyl did it, and takes off with the title track, guayaga. warped marbles burble along shiny dance floors giving way to flashbulb lights as classic house percussion washes the room. soon we are sweating to a workout of layered synths and vocal hooks as the energy builds. a clean cut house vibe sure to sit well in a properly constructed set. the edit by youandme gets dirtier with some pop-locking stuttered uprock snare hits, head bobbing bass, and dramatic fuzzed chord stabs. vocals get snipped up diced with in background chatter as percolating random percussion and dubbed out drums fan the flames of this eyes-closed groove. ripped reversals give way to a main line that will have the drink stirrers throwing their hands up, with a final warm wash of smiling chords perfect for bringing a set to a close, or taking it to the next level! on the b side, give me mores spastic clatter forms the backbeat for this classy house slab, with sleek dubbed out organ chords descending into the depths only to resurface under a vocal call to action. a short break and an oldschool snare lets the house heads know its about to get serious. the hook of yeah! drops over a bouncing bassline, soliciting whistles and whoops from the crowd, with hi-hats and added organinc percussion fills jacking up the oldschool vibes

going home late one foggy night in london, i turn the corner to see my bus waiting at the bus stop, lights on, doors open, completely empty. i get on the bus and wait, a few minutes later the driver gets on, he was hiding behind a tree. now i always call it the ghostbus. stopping and starting, traveling along are the landscapes of sound recordings, perfectly balanced between synthetic and abstract layers of sounds. ghostbus invites you to travel along an electronic road of pulses and distortion, a travel between vintage and modern atmospheres, shifting into automatic vintage synthesis gears, a journey into the dark and cold nights of london. samp gives this music his trademark ambience in confined spaces sound, helped along by nax_acid both in collaboration and with his own edit version

fear of flying regular leif provides the 4th release for fofs revitalised limited label. a supa slick slice of modern vocal house, priority sees leif up his game with supremely tight production, a killa funked up b-line and sensual vocal from new recruit donna lea. for remix duties we opted for the up & coming talents of young un ethyl along with production partner flori. they come up with an altogether different take, coaxing elements of the vocal into a bigger sounding deep house experience. finally we thought we opt for a little bit of a curve ball in the shape of daze maxim. upon hearing dazes installment in the excellent story series we knew he was someone we needed to get on board - here daze strolls into tough tech house territory with a groove slightly reminiscent of rick wade at his most dance floor

a dark bassline and classic synth stabs keep things moving along, with the occasional surprise of some classic 909 claps and shakers within. this tracks are crafted specifically for that moment during the party when the crowds minds and ears have combined with the djs master plan, and everyone is locked firmly in place ready for the ride. its a powerful heads down dance floor bomb that simply works.

second part of the fabulous 2010 compilation 12inch series celebrating the 10th anniversary of dial records. carsten jost continues his lovely hymn productions after he delighted the dancefloor with the unbelievable remix for phantom ghost on dial 49. with kassian troyer a new star is born and his very first release >tourist< is an outstandingly deep techno mover never to stop. rndm who is part of the efdemin cooperation pigon comes along with >no beginning<, a grower for all night peaktime madness. oh my god!

truly beautiful deep house records are things to be treasured, akin to proper songs that will last the test of time, not made to meet a fleeting fad. this is one of those records and a real pinnacle & departure for blm & pawas. although the term deep is an oft overused one, >waiting game< personifies the genres true key traits with a subtly moving groove that gradually builds, using layers of subtle percussion and a rich, warm synth motif to make a rich tapestry of sounds before finally introducing the beautiful female vocal that gives the track its name. patrice scott liked the track so much that he agreed to remix it - his first ever outside of his own, excellent, sistrum label. using plenty of the original track parts but taking it a different direction, patrice really has come up with something special. the track moves along with snippets of the main vocal and clever use of the main synth, the groove being underpinned by patrice s classic sense of production before moving into a more classic >detroit< ending - a mindset with a bigger, more dramatic sensibility

support by: silicone soul, groove armada, loya bushwacka!, brothers vibe, x-press 2, tim green, tom novy, kasper bjorke, sarah main, zdar, terry francis, wally lopez, patric la funk, noir, ante perry, wollion... after their big success of their charity project >it began in africa<, juliet sikora and tube & berger come along with another wicked bomb called >la boca loca< on kittball records. beside the wicked >mouth trumpet< hook the track contains an extremely danceable and organic tech house groove and a bass line that will cause heavy vibrations in your stomach.

deacon is the salvador dali of electro... a refreshing example of someone rewriting rules of music as he goes along the guardian by now youll know baltimores dan deacon. dubbed >oddball< by many, >inspired< by more hes one guy treading many thin lines - confidently straddling between nutjob and genius, downright brilliant and insanely mind-bending, and with a live show from another world inducing more audience participation than a seriously skewed pantomime. the label amazing sounds has brought together kindred spirits hudson mohawke, allez-allez and luke abbott to create a rich and varied ep which mirrors dan deacons rich and varied music. this is only the second release on amazing sounds, the first being a 12inch of remixes from the krautrock classic harmonia & eno 76 album tracks & traces (with remixes from shackleton and appleblim & komonazmuk). this next vinyl release is a one time only pressing of 500 copies

here is finally the first single from yakine, a close member to the eklo family. after his featuring on the hooksey vol.1, he gave us four tracks which he worked specially for this ep. yakine explored a new sound, some more melodic and deeper works, different from his usual stuff. captor of sin, the main track here. we find yakine in a more pop dimension with the vocals. the metric rhythm is mix it up with sub and perky shuffle grooves, everything harmonized through a lead ambiance made of weird synts & pads. then shirp, lead from synths, the track go on in the same vibe, more excentric and percussive, rounded beat, and a slap bass, 80s funk type. on the flip, temptation, a more singular track, a great detroit techno influenced, with his unusual keys and some indus sounds. the story ending with aferone, a deep and sensitive balad, overhang by a poetic piano coming and going all along. solid and versatile 12 inch.

the next animasola ep is on the line with promising new names and hardtechno at its best.a1 doen by sepromatiq who showed his talent before and golpe a newcomer from czech - nice ravi melo break and powerfull beats. a2 destroyer is giving us serious fun with this hard hitting tool, perfect to mix and it pounds everything away b1 clean hitting hardtechno tool. some new ideas coming from tiltihammer who has done an innovative original hardtechno piece b2 robert fabian is showing as that hardtechno beats and asian melodies come along very good - nice original sounding piece of art.

we release the vinyl-version from same named album, which was released on treibstoff in january this year. the vinyl focuses most danceable tracks and comes along in a fancy inside-out printed cover, shrinkwrapped.
supported by luciano, chloe, dj seb / minilogue, richie hawtin, slam and many more ...

following up his s soup plate with two slick dubby techno trax and a solid remix from eamonn doyle, captain baiyon is ready to kick your ass again, banzai! evening glow of a river brings a dreamlike quality to any clubspace. pushing the shuffle under a spectral vocal to conjour the mood of a haunted skyscraper. its a masterful synthesis of what could be called a traditional techno sound (the one d1 made a tradition of) and an undefinable lucid ambience. lupe carries on the mood onward in a deceptively gentle style, this one gets loud! a solid dub groove that keeps the pace until the intermittent breakdowns where it rips the sky open with a terrorising bubble synth growing like a raging blob monster to the size of a small moon. somehow eamonn doyle manages to tame the beast in his remix. it purrs along beautifully under his signature tamborines and jump strings and ends proceedings in a lush deep style. unmissable for anyone who enjoyed winter sun or come down on the music.

big zis and the nation music crew seem to enjoy the trip into electronic music to the fullest. on volume 3 they one more time deliver high-class remixes of agnÉs (sthlm, geneva), wandler (motoguzzi, zurich) und m.a. (gs, zurich). the unique trilogy comes along with the beautiful, detailed artwork of zurich based street artist tika!

belfast bad boys, jet project, are running their city at the moment. their recent slew of tracks on labels such as viva, darkroom dubs, as well as our very own get digital with the scorching hot >zuma<, have been getting them attention with djs great and small. chugging right along in very tastefully form, the lads lend their services once again to get digital. however, this time it is an e.p. all for themselves and deservedly so with hauntingly epic >understand this<. understand this is a clinic of how to mold proper song structure into dance music form. all the key elements are there: a discernible intro, strong vocals with meaning, and a proper breakdown that utilizes a whole new group of sounds. writing tunes like these takes knowledge, effort, and passion. the dub version strips the male vocal hook away, but leaves the snippets and effects from it in there. allowing the track to ride on its full bass line and warped synth patterns..

first part of the fabulous 2010 compialtion celebrating the 10th anniversary of dial records. isolée gives his far out label debut >black lodge< to have another artist 12inch later this year. efdemin comes along with a superdeep tune to tease us for his next album coming in may. with the glorious piano loophouse hymn >treacle mine< labelchef lawrence shows again that the dancefloor is a place for lovers. this is only the beginning.

from the listen:up weekly dance party featuring the best of disco, boogie, funk, soul, & house comes this 12 inch reissuing of one of the nights favorites. happy is a feel good tune and comes with a dub version along with the original. check!

vendetta delivers 4 progressive house pearls by tom & jerry, bob sinclar, sharam & kid cudi and ramirez. goosepimples guaranteed!

do easy records is back to present the first ep from co-labelowner and viennese house monster johannes lehner. after his recent releases on drumpoet community or brise records, johannes now shows his unique vison of deep and analog house music on his own imprint. johannes traxs come along with remixes from long-term buddy patlac (one half of matthias meyer & patlac) and italien wizard mirco violi. played by matthias meyer, brohters vibe, anthony collins, quarion, chris tietjen and many more .....

idle hands is a vinyl based label operating out of rooted records in bristol. the focus of the label is on raw and experimental dance floor tracks, in the best traditions of the uk underground. hanuman and atki2 make up monkeysteak, and along with dub boy run the steak house records label. over the past few years they have released 12&#8243,,s on the werk and punch drunk labels as well as recently featuring on toddla t’s fabric mix. here in the west country dub boy runs the bristol’s best bass music night, the acclaimed ruffnek diskotek and has recently been voted one of the cities favourite dj’s, second only to joker. this 12&#8243,, sees the crew delve into house music with satisfyingly bass heavy results. the a side is a chunky deep house track with a feel good carnival vibe. the b side is a unique slice of post-soca dance music, and also includes a remix from the internet’s funkiest man – grievous angel. dj support from martyn, ben ufo, blackdown and 2562.

sneaky business for the dancefloor! sing along anthem!

rrygular rings for round #2 of kleinschmager audios audiology remixes. nico purman and jorge ciccioli bring along the techno flair from south america to spice up audio1 and audio3 respectively. tympani is a brand new piece by kleinschmager audio and completes the series.

a slammin release from style of eye with remixes by hipp e & troydon. the original is a bass heavy electro groove with tweaked out synths and a male reggae vocal. troydon trips things out even more on his mix, shuffling beats with his new minimal sound, along the lines of his phono shuffle release. hipp e is on fire again! a deep chugger with a big vocal breakdown.

played by claude von stroke, timo maas, luciano, livio & roby, mihalis safras, d julz, hosh! after his huge success of the summer that was >trumpets victory< only 19-year old kiddo david august is back on stil vor talent with his second ep: sweden roof. sweden roof is also the title track on this two-track ep that is about the funkiness of house music and the glorious moments of melodies. a cut up vocal sample dominates the groove until we can hear why david august is more than a producer, but a musician after all. the great organ melody will have whole floors swinging along to this monster of musical raffinesse. this sound is like crack, once you try, you want more of it. now! and luckily there is. feeding our addiction on the flip is soul kitchen, an even more organic piece of tech-house-niceness. clap snares, pianos, a deep male vocal sample and equally as much sex appeal as dancing at the carnival in rio. this is soulful house music and it doesnt get any better. these two new tracks show that david august is no one hit wonder. >sweden roof< proves how deeply david seems to be in touch with house music - and the dancefloor.

guitar based sing along - summer feeling house track!!

fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

support: steve bug, jay haze, someone else, mark henning, matt star, pan pot, agaric, jason emsley!!! 2009 has been an extremely busy year for billy dalessandro. on top of having recently relocated from his hometown of chicago to montreal, the year has marked his most engaging yet in terms of gigging and musical output. along with a successful three-month european tour, billy released a string of highly acclaimed singles, and his latest artist album (not to mention his growing catalog under the huge hephner and tyrone aliases). however, it should come as no surprise that the producer has saved the best for last.
>strombooty< (for details, consult your local urban dictionary) is the modern dalessandro sound, combining heady experimentation with dance floor prowess. the eps title track is a deep, yet explosive number that creeps in subtly like dark clouds on the horizon, before raining down a devastating thunderstorm over the speakers.
the latin-flavored >el tapatio< and super-deep cut >speak to me< make up the b-side. although the tracks represent different aspects of the dalessandro sound, the commonality they share is a thoughtful approach to dance music that much of the formulaic output these days lacks.

with five beat pharmacy albums and almost a dozen vinyl releases on francois ks deep space imprint, this dubby and eclectic project of brendon moeller needs no introduction.
chugging along at 120bpm, underpinned by a thick sub-dub bassline and a modulating maurizio-style synth cord arpeggio, pump is a hypnotic slap of deep smoky house with some memorable hooks to boot. swirling rhodes keyboards and a slick piano riff serve as a lovely counterpoint to the swinging funk of the hi-hat groove. forever morphing and evolving, the stready and unrelenting groove are guaranteed to keep heads bobbing and toes tapping!
the first remix here is by echospace head honcho, stephen hitchell under his intrusion guise. stripping away and re-contextualizing the key elements in the track, hitchell crafts a warehouse-style dj-tool that subtlely weaves its way into ones subconscious via a delightful psychedelic keyboard hook.
londons bearweasel takes a similar approach, except with a much more pronounced beat track superbly trippy atmosphere. a top notch dj tool thats likely to be spun worldwide.
all round a quality release with enough sensibility and character to be played for years to come.

will eastman has been holding down dcs clubs for the better part of a decade with his sensationally successful bliss dance parties. his remixes have received critical praise, along with his dj sets in dc, across the u.s. and in europe. his first foray into original dance music, feelin to be released as a 12inch on plant, is a groovy house/disco/rave tune that gets reworked by his good pals nadastrom, tittsworth & nakassis, and dmerit. he and jesse tittsworth are opening a new club in dc, u street music hall, slated for early 2010. wherever eastman goes, insane dancing follows.

while the first outing on this new label from the italian edit champs is still a highlight in many a djs box another incredible outing from ltj comes along. two more reworks of fine soul and disco tunes that have a strong chicago deephouse sensibility to them. this received a record number of hits on soundcloud and might even be bigger than the first swde!

one of those records that is just out of this world! the day has finally come that anto vitale makes a return to seasons limited and brings the beautiful and soulful tamara wellons along for the journey! anto vitale first landed on seasons limited in 2008 with his debt record >majico<, which was a beautiful masterpiece that weaved its way through african and techno rhythms and tore up dance floors world wide! anto vitale comes home with another record that just blew us away, featuring the beautiful vocals of one of our favorites tamara wellons. this is one of those records that is just out of this world!

after a break of 3 years, fear of flying resurrect their limited label to give an airing to a track that has been getting some serious attention at londons uber club fabric, having been a staple in the sets of supa resident craig richards for some months now. tiger tiger is all about the tension as the 3 minute intro builds and builds with the an arpeggiated synth, deep bass and a spanish female vocal hook before dropping, no doubt, to dance floor pandemonium as the kick is introduced. its anthemic qualities are brought to the fore later on with a string breakdown and more lashings of the ultra catchy spanish female vocal. ekkohaus provides two excellent mixes on the flip – the main remix shimmers along in fine dance floor fashion. super slick percussion and snippets of the main vocal keep pushing the tracks along, occasionally dropping into the full vocal hook to get hands in the air and smiles on faces.

support by: supported by: adam beyer, joseph capriati, sven wittekind, technasia, pfirter, kyle geiger, axel karakasis, lars klein, dylan drazen, a.mochi, odessa soundfreaks, lars wickinger, kobbe and many more ...
virgil enzinger is for sure one of the most respected austrian techno producers. with releases on labels like clr, kombination research, masters of disaster and many other well known imprints virgil fixed his position in the international techno league. after his massive vx album fiction hes now back on driving forces recordings with two dark and pure techno tracks in the typical enzinger style. next to the original versions of form of the formless and final movement the vinyl features another great rmx by the dutch audio assault labelhead bas mooy, while the digital version comes along with an exclusive rmx by the dfr labelheads sutter cane & mark domine.

we are delighted to welcome the mighty russ gabriel to ever expanding dieb family and have him contribute this excellent 3 track ep to our catalogue. fans of russ sound as well as the uninitiated will not be disappointed here as there is a very wide stylistic audio palette on display here-yet still retaining russ quintessential production aesthetic and quality.
ranging from the epic, old school >returning home< with its haunting pad and melodious bass arpeggios to the stripped back chugging tech house workout of >push it along< and the futuristic, techno-infused >narita express< with its modulating stabs and catchy, repetitive bassline it is easy to see why russ is and has always been considered a unique and exciting music visionary equally capable of creating harmonic, atmospheric soundscapes or high energy, functional beats aimed squarely at the dancefloor.
whatever your preference, this package is sure to satisfy even the most discerning ear or demanding club crowd! enjoy!

finally available the collectors edition of >disco3000< as part of the kindred spirits x artyard collaboration. featured in a heavy duty sleeve, 180 grams vinyl and extensive liner notes, limited to 500 copies worldwide!
january 1978 was a fruitful month for sun ra. as well as days spent in the recording studios in rome, ra, along with john gilmore, michael ray and luqman ali, played several gigs in italy before flying back to the us. the magic music from one night in the teatro cilak, on 23/01/1978 in milan, is preserved on disco 3000. disco 3000 is arguably among the most important documents of sun ras long musical career, are now once more available in a limited edition!

stroke typifies the twisted darkness so prevalent in italian techno right now. constructed from a tight stripped back groove of low-humming bass and booming kicks the track bounces along against a off-kilter backdrop of acid ripped effects. a legend in techno, rino cerrone makes a welcome return to analytic trail with his remix. taking the late night feel of the original and evolving it over a tight shuffling groove the effect is to accentuate the warped vibe and discreet energy.

here at the exprezoo headquarters we like to keep looking forward and to search for new and undiscovered talents, but we also like to go back to the sounds of our roots and, its not a secret, we are in love with neapolitan techno. blend these ingredients, stir for a while, and voila the fourth release on our catalog, by rio padice. actually, the kid isnt really a new one, since he s already had releases on welt,mosaiko, metroline limited and exprezoo digital besides being half of the new and hyped horacio project along with massi dl, but hes part of the new generation of neapolitan producers who keep going down the path started by marco carola and danilo vigorito. the a-side, don dragone, has a techno mood that we didnt feel for some time and that takes us back to when hardgroove was leading the dancefloors, updating and actualizing its sounds, while on the b-side elm street is made to satisfy the classiest tastes, taking the atmosphere towards a good-for-every-purpose dub techno. the last track on the ep, leviatano, keeps up the feeling we fell in love with on question and zenit, with funky percussions and sunny, warm synths.

second release on the bounce by helixir on 7even recordings after his last digital dubby experience >xp dub / peace dub< in june! recognized as one of the most versatile of the new breed of french electronic music producers, the man from strasbourg is back this time with two bass-heavy productions in his own percussive style.
>convultions< is a real dancefloor weapon, the robotic riddim subtly brings a deep sub-bass becoming more and more insistent, the beats never stop evolving along the journey, the breaks hit your senses, pure badness from this ultra precise producer!
>let me drive now< brings you to a beautifully produced track through magical percussion, galactic synths and smoky atmospheres, somewhat akin to 2562s latest directions. a beautiful piece of music, tightly produced by helixir, who shows again his mastery of the studio and modern bass music.

welcome to our latest release.. so impressed were we by chris lattners ep on einmaliens earlier on in the year, wequickly got in contact with the man and asked if he could provide some teched up magic for our lil label.. he dulyobliged with a scorching 3 tracer. already big in the boxes of locodice & matthias tanzmann, main track >sick< drives along in pure dance floor tradition with strong beats, solidpercussion and male vocal snippets.
>house ya< kicks offthe flip side with an equally devastating groove in the same style.
big with: loco dice, matthiastanzmann, luciano, gorge, laurentgarnier, margaret dygas, lauhaus, dj t, audiofly, nic fianculli, afrilounge ...

3 big 2009 single hits!!

bolz bolz comes back at your full steam with this new release of ramped up crunchy dirty break beat waver. this is some of his best work yet with >lift going up< setting the tone of what is to come. bolz bolz has come along way and in this lp he really creates a new universe of sonic wonder.

ltd one sided 10 300 copies only, first come first served! track taken from originals 4. when i was growing up, the only rock record in the house apart from the beatles was a christian rock record: straight talker by bristol band amaziah, my dad was a huge fan. my brother and i listened to it each day, as our matchbox ferraris traced intricate road networks on the patterned living room carpet. soon we knew every word, wah wah solo and squiggly synth noise off by heart. we loved it. and who could thought fifteen years later, while picking through piles of junk in the shed we found this forgotten treasure and searched for the owners and finally gave it a release on our label. so paul and jez, along with dave steel, derek elliott, richard grinter, phil williams, gerald davies and keith loring – and most of all my dad - this is for you.

q hey (masaya kyuhei) started djing in 1989, and since then, has been one of the few key individuals of japans club scene (along with takkyu ishino, ken ishii, fumiya tanaka). with determination, focus, hard work, and with the support of loyal fans, he is one of tokyos techno milestones. from club events to massive outdoor music festivals, q hey is the artist who always delivers. his newest ep on mbelektronics is again a banger, backed up with two firm remixes of marco bailey & tom hades and redhead. dancefloor madness guaranteed!

yc‘s adultnapper has built a reputation for himself that not only commands respect for his highly evolved production skills, but also for his unique musical visions that steer him down his own unique path. not interested in following the current pop-trends, adultnapper turns in a freaky two tracker using a sharp, modular and timeless electronic sound palette. ‚almost nothing‘ is a complex and reduced spacer that features wonderfully processed drums and endless tweaked out studio trickery. haunting smatterings of melody, synth texture and paranoid-funky vocals drop in and out of the mix as this deep acidic groover charms you from the inside. poker flat regular patrick chardronnet provides a wicked remix that begins along the same reduced, textural tip as the original, yet builds into a breathtaking organ led harmonic climax. dramatic, uplifting and main-room friendly chardronnet‘s remix opens up the spectrum once again as audiomatique continues to surprise. ‚white fingers black hair‘ is the b side jam from adultnapper. a skipping, similarly complex and meandering groove is jacked up with some dirty hats and a playful synth theme that revolves around the track, amongst building strings and gated snares as its freaky climax is unveiled. super, off the wall stuff from nyc‘s chief mindwaper himself